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The ode begins with a priamel, where the rival distinctions of water and gold are introduced as a foil to the true prize, the celebration of victory in song. [7] Ring-composed, [8] Pindar returns in the final lines to the mutual dependency of victory and poetry, where "song needs deeds to celebrate, and success needs songs to make the areta last". [9]
His victory odes are grouped into four books named after the Olympian, Pythian, Isthmian, and Nemean Games – Panhellenic festivals held respectively at Olympia, Delphi, Corinth and Nemea. This reflects the fact that most of the odes were composed in honour of boys, youths, and men who had recently enjoyed victories in athletic (and sometimes ...
Most of Pindar's signature characteristics and signature style appear in this poem. Pindar utilizes religion, local mythology, and his poetic genius to create an ode that outlasts the occasion itself. The motif of the ode is harmony: harmony of the lyre and moral harmony of a life formed by justice, liberality, and the pleasure of the gods.
He won the chariot race at Delphi in 470 BC (a victory celebrated in Pindar's first Pythian ode) and at Olympia in 468 BC (this, his greatest victory, was commemorated in Bacchylides' third victory ode). Other odes dedicated to him include Pindar's first Olympian Ode, his second and third Pythian odes, and Bacchylides' fourth and fifth victory ...
Soon he was competing with Pindar for commissions from the leading families of Aegina and, in 476 BC, their rivalry seems to have reached the highest levels when Bacchylides composed an ode celebrating Hieron's first victory at the Olympian Games (Ode 5). Pindar celebrated the same victory but used the occasion to advise the tyrant of the need ...
In addition to epinikia, a victorious athlete might be honored with a statue, as with this charioteer found at Delphi, probably a champion driver at the Pythian Games. The epinikion or epinicion (pl.: epinikia or epinicia, Greek ἐπινίκιον, from epi-, "on", + nikê, "victory") is a genre of occasional poetry also known in English as a victory ode.
The third Olympian celebrates the same victory as the second (that of 476), but, while the former Ode was probably sung in the palace of Theron, the present was performed in the temple of the Dioscuri at Acragas, on the occasion of the festival of the Theoxenia, when the gods were deemed to be entertained by Castor and Polydeuces.
Olympian Odes: Online version at the Perseus Digital Library. Pindar, The Odes of Pindar including the Principal Fragments with an Introduction and an English Translation by Sir John Sandys, Litt.D., FBA. Cambridge, MA., Harvard University Press; London, William Heinemann Ltd. 1937. Nemean Odes: Greek text available at the Perseus Digital Library.
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