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It is perhaps best known for Robbins's most successful single, "El Paso," a major hit on both the country and pop music charts, as well as for its opening track, "Big Iron," a song that gained a resurgence in popularity online as an Internet meme after its inclusion in the 2010 video game Fallout: New Vegas. [4]
In 1976 Robbins released another reworking, "El Paso City", in which the present-day singer is a passenger on a flight over El Paso, which reminds him of a song he had heard "long ago", proceeding to summarize the original "El Paso" story. "I don't recall who sang the song," he sings, but he feels a supernatural connection to the story: "Could ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
Using the money from his college savings, he created the label Western Breed Records to release Hell Paso and Alfaro Vive, Carajo!, At the Drive-In's first two releases. After the demise of At the Drive-In, Ward has stated that he was happy with the break-up, and that he started the band when he was 17 and felt like he was always 17 while in ...
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
After describing the visual scene and a few of the songs, he claims "it's the version of 'Big Railroad Blues' that makes this telecast" because one by one the band members put on masks and "clown wigs with baldpates and bright, crazy Bozo hair" which Bob tells "the, no doubt, confused audience" are "for the TV cameras, you must understand ...