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Sony Dynamic Digital Sound (Japanese: ソニー・ダイナミック・デジタル・サウンド, Hepburn: Sonī Dainamikku Dejitaru Saundo, SDDS) is a cinema sound system developed by Sony, in which compressed digital sound information is recorded on both outer edges of the 35mm film release print. The system supports up to eight independent ...
A digital television adapter (DTA), commonly known as a converter box, DTV converter , or decoder box, is a television tuner that receives a digital television (DTV) transmission, and converts the digital signal into an analog signal that can be received and displayed on an analog television set. Some also have an HDMI output since some TVs ...
Digital room correction may involve minimum phase algorithms, to maintain wavefront coherence over the intended frequency range.. The use of analog filters, such as equalizers, to normalize the frequency response of a playback system has a long history; however, analog filters are very limited in their ability to correct the distortion found in many rooms.
4-channel stereo multiplexed analog-to-digital converter WM8775SEDS made by Wolfson Microelectronics placed on an X-Fi Fatal1ty Pro sound card AD570 8-bit successive-approximation analog-to-digital converter AD570/AD571 silicon die INTERSIL ICL7107. 3.5 digit (i.e. conversion from analog to a numeric range of 0 to 1999 vs. 3 digit range of 0 to 999, typically used in meters, counters, etc ...
A Sony PCM-501ES EIAJ LPCM Adapter on a Sony SL-HF360 VTR. The Sony PCM-1600 was the first commercial video-based 16-bit recorder. The 1600 (and its later versions, the 1610 and 1630) used special U-matic-format VCRs also furnished by Sony for transports, such as the BVU-200B (the first model of VCR optimized to work, and sold with, the PCM-1600 in 1979), [2] BVU-800DA, VO-5630DA, and the ...
In a digital mixer, the microphone preamplifier is followed by an analog-to-digital converter. Ideally, this process is carefully engineered to deal gracefully with overloading and clipping while delivering an accurate digital stream. Overloading during further processing and mixing of digital streams can be avoided by using floating-point ...
The number of frequency channels may be matched to the requirements of the intended application. A car audio equalizer might have a total of five to ten frequency bands. An equalizer for professional live sound reinforcement typically has some 25 to 31 bands, for more precise control of feedback problems and equalization of room modes.
In digital signal processing, a digital down-converter (DDC) converts a digitized, band-limited signal to a lower frequency signal at a lower sampling rate in order to simplify the subsequent radio stages. The process can preserve all the information in the frequency band of interest of the original signal.
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