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A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
Lyric setting is the process in songwriting of placing textual content in the context of musical rhythm, in which the lyrical meter and musical rhythm are in proper alignment as to preserve the natural shape of the language and promote prosody.
Rhymes are used in Vietnamese to produce similes. The following is an example of a Rhyming Simile: Nghèo như con mèo /ŋɛu ɲɯ kɔn mɛu/ "Poor as a cat" Compare the above Vietnamese example, which is a rhyming simile, to the English phrase "(as) poor as a church mouse", which is only a semantic simile. [24]
A simile mark in the middle of an otherwise empty measure tells the musician to repeat the chord or chords of the preceding measure. When seen with two slashes instead of one it indicates that the previous measure's chords should be repeated for two further measures, called a double simile , and is placed on the measure line between the two ...
Lyrics often contain political, social, and economic themes—as well as aesthetic elements—and so can communicate culturally significant messages. These messages can be explicit, or implied through metaphor or symbolism. Lyrics can also be analyzed with respect to the sense of unity (or lack of unity) it has with its supporting music.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional , which uses repeating forms in songs. Common piece-level musical forms for vocal music include bar form , 32-bar form , verse–chorus form , ternary form , strophic form , and the 12-bar blues .
American singer/songwriter Carolyne Mas has a song titled "King of the U-Turn" that uses an albatross as a metaphor. The rock band Chevelle uses albatross as a metaphor in the song "Face to the Floor". Demon Hunter uses albatross as a metaphor in the song "Cross to Bear". The band Erra uses albatross as a metaphor in the song "Dreamwalkers".