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Beatrice is a fictional character in William Shakespeare's play Much Ado About Nothing.In the play, she is the niece of Leonato and the cousin of Hero.Atypically for romantic heroines of the sixteenth century, she is feisty and sharp-witted; these characteristics have led some scholars to label Beatrice a protofeminist character.
For example, in line 9, Shakespeare diverts the ictus away from the two strong tonic stresses of "love" and "lov'st" by arranging the line such that the meter implies contrastive accent on the four pronouns surrounding them: × / × / × / × / × / Be it lawful I love thee, as thou lov'st those (142.9)
In this particular sonnet, Shakespeare admits his love for the young man, but he states that he is not able to publicly acknowledge his love due to the shame that might result. According to Lord Alfred Douglas, there seems to be a contradiction between Sonnet 35 and Sonnet 36, because while he rebukes the young man in the first sonnet, he ...
Shakespeare's third quatrain is interesting in that it changes "the words used to characterize the negative aspects of lust". [attribution needed] [12] Lust becomes "perceptibly weaker toward the end of the poem" [12] than in the start. In the beginning of the sonnet, Shakespeare uses the words "Murd'rous", "bloody", "savage" and "cruel" and ...
Sonnet 112 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. It is noted for its compressed and obscure language.
Much Ado About Nothing is a comedy by William Shakespeare thought to have been written in 1598 and 1599. [1] The play was included in the First Folio , published in 1623. The play is set in Messina and revolves around two romantic pairings that emerge when a group of soldiers arrive in the town.
Sonnet 119 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Structure
Vendler writes that in sonnet 23, "the (inevitable) distance between composing author and fictive speaker narrows to the vanishing point." She says that the sonnet gets at the "stranglehold" of both the poem and Shakespeare's prolific literary mind—both the author and the "character" of 23 desire to express too many things at once.