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The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. The pattern is also found in the African diaspora musics of Haitian Vodou drumming and Afro- Brazilian music .
Religious traditions of African origin have survived in Cuba, and are the basis of ritual music, song and dance quite distinct from the secular music and dance. The religion of Yoruban origin is known as Lucumí or Regla de Ocha ; the religion of Congolese origin is known as Palo , as in palos del monte . [ 11 ]
The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. [ citation needed ] In ethnomusicology , clave is also known as a key pattern , [ 3 ] [ 4 ] guide pattern , [ 5 ] phrasing referent , [ 6 ] timeline , [ 7 ] or asymmetrical timeline . [ 8 ]
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Tresillo is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music. It was introduced in the New World through the Atlantic slave trade during the Colonial period. The pattern is also the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions.
The most basic single-celled pattern in duple-pulse structure consists of three strokes, known in Cuban music as tresillo. The "tresillo" [37] [38] (Cuban term) is the most basic single-celled figure in duple-pulse structure. Play ⓘ The five-stroke "cinquillo" (Cuban term) is a common single-celled variant (two additional strokes).
Cuban music (see page for full list of musical forms) Afro (genre) Son; Music of the Dominican Republic (see page for full list of musical forms) Bachata; Merengue; Music of Ecuador; Bambuco; Bomba (Ecuador) France; Afro trap [1] [2] French hip hop; Raï; Garifuna music; Music of Belize; Music of Honduras; Hunguhungu; Haitian music (see page ...
The five-stroke clave represents the structural core of many Afro-Cuban rhythms, both popular and folkloric. [3] Just as a keystone holds an arch in place, the clave pattern holds the rhythm together. The clave patterns originated in sub-Saharan African music traditions, where they serve the same function as they do in salsa. [4]