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Dark academia is a literary aesthetic [1] [2] and subculture [3] concerned with higher education, the arts, and literature, or an idealised version thereof. The aesthetic centres on traditional educational clothing, interior design, activities such as writing and poetry , ancient art , and classic literature , as well as classical Greek and ...
The "collage" aesthetic is still seen, but now in a virtual/digital form, with many abutting and overlapping semi-transparent images, often cropped into crisp, aligned rectangles. Mills still uses hand-drawn or -painted imagery, but as often as not it is scanned into the computer and treated as another malleable collage element.
A light-on-dark color scheme, better known as dark mode, dark theme or night mode, is a color scheme that uses light-colored text, icons, and graphical user interface elements on a dark background. It is often discussed in terms of computer user interface design and web design. Many modern websites and operating systems offer the user an ...
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
A computer screen showing a background wallpaper photo of the Palace of Versailles A wallpaper from fractal. A wallpaper or background (also known as a desktop background, desktop picture or desktop image on computers) is a digital image (photo, drawing etc.) used as a decorative background of a graphical user interface on the screen of a computer, smartphone or other electronic device.
Light academia is an aesthetic and subculture, [1] that emphasizes visually light aesthetics and positive themes, including optimism, joy, and friendship. [ 2 ] [ 3 ] Accordingly, light academia is often considered to be the visually and emotionally lighter counterpart to dark academia .
Computer art has allowed for an even greater and more profuse expression of psychedelic vision. Fractal generating software gives an accurate depiction of psychedelic hallucinatory patterns, but even more importantly 2D and 3D graphics software allow for unparalleled freedom of image manipulation. Much of the graphics software seems to permit a ...
On the title page of the magazine Computers and Automation, January 1963, Edmund Berkeley published a picture by Efraim Arazi from 1962, coining for it the term "computer art." This picture inspired him to initiate the first Computer Art Contest in 1963. The annual contest was a key point in the development of computer art up to the year 1973 ...