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Since the woofer covers the lower-end of the audio spectrum and the tweeter covers the upper-end, the dividing point between the two being the crossover frequency, it is of utmost importance that, at the crossover frequency the outputs of both drivers should acoustically sum so as to be seamless, without any peaks or dips, otherwise the ...
Bi-amping - An active crossover with two amplifiers.. Bi-amping and tri-amping is the practice of using two or three audio amplifiers respectively to amplify different audio frequency ranges, with the amplified signals being routed to different speaker drivers, such as woofers, subwoofers and tweeters.
A passive 2-way crossover designed to operate at loudspeaker voltages.. Audio crossovers are a type of electronic filter circuitry that splits an audio signal into two or more frequency ranges, so that the signals can be sent to loudspeaker drivers that are designed to operate within different frequency ranges.
Acoustic lobing refers to the radiation pattern of a combination of two or more loudspeaker drivers at a certain frequency, as seen looking at the speaker from its side.In most multi-way speakers, it is at the crossover frequency that the effects of lobing are of greatest concern, since this determines how well the speaker preserves the tonality of the original recorded content.
Using a crossover to separate the sound into low, middle and high frequencies can lead to a "cleaner", clearer sound (see bi-amplification) than routing all of the frequencies through a single full-range speaker system. Nevertheless, many small venues still use a single full-range speaker system, as it is easier to set up and less expensive.
This approach takes into account the natural low-frequency responses of the main speakers, which roll off at 12 dB/octave for sealed enclosures, and 18–24 dB/octave for vented enclosures. The aim is to have the low-pass filtered and high-pass filtered signals be −6 dB at the crossover frequency, producing what is known as an acoustical 4th ...
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
To properly align adjacent frequency bands through a crossover, the two phase responses should be adjusted until they are seen in Smaart to be parallel through the crossover frequency. [8] The transfer function measurement can be used to measure frequency-related electrical impedance, one of the electrical characteristics of dynamic loudspeakers.