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Self-Portrait is a small oil-on-panel painting by the Italian artist Sofonisba Anguissola, signed and dated 1554 on the open book held by the artist. [1] [2] [3] The portrait is now in the Kunsthistorisches Museum, in Vienna. [4] It was recorded as hanging in Vienna's Belvedere Gallery, already attributed to Anguissola but initially thought to ...
Portrait of Elena Anguissola: 1540s or 1551 Southampton City Art Gallery, UK Self-portrait: 1550 Uffizi, Florence Self-portrait: c.1550 Private collection Self-portrait: 1554 Kunsthistorisches Museum, Vienna GG_285 Self-portrait: 1554 Museo Poldi Pezzoli, Milan Self-Portrait at a Spinet: 1554 Museo Nazionale di Capodimonte, Naples
Clothing has been one of the main ways Sofonisba Anguissola has shaped her personal image in her self-portraits. In pieces such as Self Portrait at an Easel (1556-1565) and Self Portrait (1554), Anguissola is depicted in a simple black dress with a white frilled collar underneath. This was seen by many at the time as an attestation of the ...
Lucia Anguissola, Self Portrait, 1557 Sofonisba Anguissola, Self Portrait, 1554. In Lucia Anguissola's Self Portrait (1557) she portrays herself sitting in modest clothing, with a book in her left hand. This book has been identified as either a prayer book or a Petrarchan. Her right hand rests on her heart, similar to her sister Sofonisba's own ...
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The Child Bitten by A Lobster is a drawing by the Italian painter Sofonisba Anguissola, executed in chalk and pencil on light blue paper, and dated to around 1554. It is in the collection of the Museo di Capodimonte, in Naples. [1] [2] [3]
Sofonisba Anguissola, Self-Portrait, 1610. The influence of Campi, whose reputation was based on portraiture, is evident in Anguissola's early works, such as the Self-Portrait (Florence, Uffizi). Her work was akin to the worldly tradition of Cremona, influenced greatly by the art of Parma and Mantua, in which even religious works were imbued ...
Miniature Self-Portrait is the smaller of two known miniature self-portraits by skilled portraitist Sofonisba Anguissola (ca. 1532–1625) to survive. [1] Painted around 1556, this small oil on parchment on cardboard is set in a metal frame with a scroll surmount. [2]