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There were at least two types of high collar jackets in the Ming dynasty: liling duijin shan (Chinese: 立领对襟衫) which is jacket with high collar and closes at the front centrally, and liling dajin changshan (Chinese: 立领大襟长衫) which is a long jacket with stand-up collar, it overlaps from the neck and closes at the right side. [31]
Knee-length topcoats, often with contrasting velvet or fur collars, and calf-length overcoats were worn in winter. By the 1880s the majority of the working class, even shepherds, adopted jackets and waistcoats in fustian and corduroy with corduroy trousers, giving up their smock frocks.
In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Here, the boys (on holiday in the mountains) wear buff-colored belted knee-length tunics with yokes and full sleeves over trousers. The girls wear white dresses with colored aprons.
The length of the doublet reached the waist but by the late 1650s and early 1660s, the doublet became very short, only reaching the bottom of the rib cage, much like a bolero jacket. During the 1660s, the sleeves varied a lot from elbow length to no sleeves at all. The doublet could be worn opened or buttoned in the front.
Pelisse finally lost any resemblance to their origins in men's military dress as skirts and sleeves widened in the 1830s, and the increasingly large crinoline skirts of the 1840s and 1850s caused fashionable women to turn to loose mantles, cloaks, and shawls (especially those of Paisley design) instead. The term pelisse did however continue to ...
The black garment featured a dramatic collar, a floor-length design and rolled Perry, 39, went topless underneath a fur coat while stepping out in Paris ahead of the label’s presentation on ...
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