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The first waltz theme is a familiar gently rising triad motif played by cellos and horns in the tonic (D major), accompanied by the harp; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Künstlerleben ("Artist's Life"), Op. 316 is a waltz written by Johann Strauss II in 1867, following closely on the success of the popular "The Blue Danube". Austria was severely shaken the previous year 1866 by the crushing defeat that the Austrian army suffered in the Battle of Königgrätz and many of the year's festivities and balls were cancelled as the prevalent depressing mood affected ...
The Great Waltz is a musical conceived by Hassard Short with a book by Moss Hart and lyrics by Desmond Carter, using themes by Johann Strauss I and Johann Strauss II. It is based on a pasticcio by Erich Wolfgang Korngold and Julius Bittner called Walzer aus Wien, first performed in Vienna in 1930. The story of the musical is loosely based on ...
Adolf Andrey [1] Schulz-Evler (12 December 1852 – 15 May 1905) was a Polish-born composer.. Born in Radom, Poland (at that time part of the Russian Empire), he studied at the Warsaw Conservatory, then under Carl Tausig in Berlin. [2]
An der schönen blauen Donau, Op. 314, On the Beautiful Blue Danube, or The Blue Danube (1866) Künstlerleben, Op. 316, Artists' Life (1867) Telegramme , Op. 318, Telegrams (1867) Die Publicisten, Op. 321, The Publicists (1868) G'schichten aus dem Wienerwald, Op. 325, Tales from the Vienna Woods (1868) Illustrationen, Op. 331, Illustrations (1869)
The principal waltz theme in C major is also in the style of The Blue Danube, where three notes in rising melody starts off the waltz proper. Waltz 2A carries the principal key in C major as well but quickly interpolates with a more thoughtful passage in E-flat major .
The Great Waltz is a 1972 American biographical musical film directed by Andrew L. Stone, and starring Horst Buchholz, Mary Costa, and Nigel Patrick, that follows 40 years in the life of composer Johann Strauss (the Younger, known as the "Waltz King") and his family. [2] It is based on the musical The Great Waltz, and was Stone's final film.
Lhévinne made only a few recordings, some of which are considered to be examples of perfect technique and musical elegance. The discs of the Chopin Études Op. 25, Nos. 6 & 11 recorded for RCA Victor in 1935 and Schulz-Evler's arrangement of Johann Strauss II's Blue Danube Waltz, also for Victor in 1928, are legendary among pianists and connoisseurs.
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