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Sri Lankan literature is the literary tradition of Sri Lanka. The largest part of Sri Lankan literature was written in the Sinhala language, but there is a considerable number of works in other languages used in Sri Lanka over the millennia (including Tamil, Pāli, and English). However, the languages used in ancient times were very different ...
The Sinhala script (Sinhala: සිංහල අක්ෂර මාලාව, romanized: Siṁhala Akṣara Mālāva), also known as Sinhalese script, is a writing system used by the Sinhalese people and most Sri Lankans in Sri Lanka and elsewhere to write the Sinhala language as well as the liturgical languages Pali and Sanskrit. [3]
Agreement is the hallmark of literary Sinhala, and is the sole characteristic used in determining whether a given example of Sinhala is in the spoken or literary variety. Other distinctions include: The copula වෙනවා (venavā), lit. ' happening ' in equational sentences is required in literary but prohibited in spoken Sinhala.
Having taken root in Sri Lanka (then Ceylon) in 1796, Sri Lankan English has gone through over two centuries of development.In terms of its socio-cultural setting, Sri Lankan English can be explored largely in terms of different stages of the country's class and racial tension, economy, social disparity, and postwar rehabilitation and reconciliation. [10]
The Dīpavaṃsa [1] (दीपवंस, Pali: [diːpɐˈʋɐ̃sɐ], "Chronicle of the Island") is the oldest historical record of Sri Lanka.The chronicle is believed to be compiled from Atthakatha and other sources around the 3rd to 4th century CE.
Perimeter is the distance around a two dimensional shape, a measurement of the distance around something; the length of the boundary. A perimeter is a closed path that encompasses, surrounds, or outlines either a two dimensional shape or a one-dimensional length. The perimeter of a circle or an ellipse is called its circumference.
Gurulugomi was a Sinhalese literary figure, who lived in the 12th century in Sri Lanka. [1] He is renowned as one of the rare masters of Sinhala classical diction and style. [2] Gurulugomi was also proficient in other oriental languages such as Pali, Sanskrit and Prakrit. [3] He was also fluent in Latin and Greek languages. [4]
Geiger's Sinhala student G. C. Mendis was more openly skeptical about certain portions of the text, specifically citing the story of the Sinhala ancestor Vijaya as being too remote historically from its source and too similar to an epic poem or other literary creation to be seriously regarded as history.