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The film, directed by Oliver Stone, portrays the life of Alexander the Great in an epic style that is also reflected in the score. Alexander was a king of the ancient Greek kingdom of Macedon who expanded the Hellenic civilisation with his conquests on the 4th Century BC; Vangelis, himself a Greek, was already famous for his scores to Chariots of Fire, Blade Runner and Conquest of Paradise.
1492: Conquest of Paradise is a 1992 music score to the film of the same name by Greek electronic composer and artist Vangelis. The film, a recount of the voyage to America in 1492 by Christopher Columbus, was directed by Ridley Scott, for whom Vangelis had previously composed the music score for Blade Runner, in 1982.
Begin Again (Music from and Inspired by the Original Motion Picture) is the soundtrack album accompanying the 2013 film of the same name, released on July 1, 2014, by ALXNDR, 222 Records, Polydor Records and Interscope Records. [2]
AJ McLean Keilen Photography If you think you know AJ McLean, wait until you meet Alexander James. After cementing his spot in music history as a member of the Backstreet Boys, the man formerly ...
Unbroken (Original Motion Picture Soundtrack) is the soundtrack to the 2014 film of the same name directed by Angelina Jolie.The album featured original score composed by Alexandre Desplat, with an original song "Miracles" by the British rock band Coldplay was featured in the album as well as the film's end credits.
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. [1]
Gregg Alexander said the central theme of the song was "remembering to fly high and be completely off your head in a world where you can't control all elements". [6] Alexander wrote the song after having a dream in which he heard music coming from a house and walked in to find Joni Mitchell, who told him, "Have a seat." Mitchell would later, in ...
[11] Music critic Jonathan Broxton wrote "The Creator is a really, really good score, which successfully blends some of Zimmer’s more modern science fiction sensibilities with the evocative Asian sound of scores like Beyond Rangoon, and builds up to a powerful, emotional finale that really stirs the soul."