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The following other wikis use this file: Usage on fr.wikipedia.org Goloka; Usage on kn.wikipedia.org ಗೋಲೋಕ; Usage on ko.wikipedia.org 골로카
The work depicts Radha, Krishna, tree, flower, woman, and peacocks. It expresses their love through depiction of flowering trees, birds, and entwining clothing. [3] It is the only known Kota depiction of a scene from Hindu scripture. [4] The story was first told in Bhagavata Purana, although Radha was initially unidentified. "Radha, it was held ...
There are many types of Pots like religious, secular. Religious pots encompass the story of Hindu epics like, mythology, Ramayana, Mahabharata narrating stories of Hindu gods and goddesses like Radha Krishna, Chaitanya, Kali, Shiba and the indigenous Bengali folklore of Manasha and Chandi, Behula and Lakshinder being the most popular. Secular ...
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Madhubani paintings are mostly based on religion and mythology. In the paintings, Hindu Gods like Radha-Krishna and Shiva-Parvati are in center. Krishna and Radha are one of the favorite subject in Rajput paintings because they portrayed a theme that symbolized the desire of the soul to be united by god. In Rajput paintings, Radha is always ...
Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
Goloka (Sanskrit: गोलोक) or Goloka Vrindavan (IAST: Goloka Vṛndāvana) is the celestial abode of the Hindu god Krishna and his chief consort Radha. [1] [2] In the Bhagavata Purana [3] and Garga Samhita, Krishna is portrayed as the highest person who resides in Goloka along with his three wives - Radha, Virija and Bhudevi. [4]
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.