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Heal is a 2017 documentary film that was written and directed by Kelly Noonan-Gores and produced by Richell Morrissey [2] and Adam Schomer. [3] The film focuses on mind–body interventions and follows several individuals who used these techniques after being diagnosed with a fatal disease.
Work was split between Toronto-based Mr. X Inc., Lost Boys Studios in Vancouver, and Atomic Visual Effects in Cape Town, South Africa. [3] The visual-effects team, led by Evan Jacobs, worked closely with the other film-makers to create visual metaphors that would capture the essence of the film's technical subjects with attention to aesthetic detail.
Nothing makes me cry like a good documentary.There's a new one on Netflix, titled Daughters, that features a father-daughter dance between young girls and their incarcerated loved ones.The film ...
The documentary shares their intimate interactions over an entire year and Foster honors his new friend's intelligence, resilience, and beauty in the clips he catches of her life.
The Confession Tapes is a true crime television documentary series that presents several cases of possible false confessions leading to murder convictions of the featured people. In each case, the documentary presents alternate views of how the crime could have taken place and features experts on false confessions, criminal law, miscarriages of ...
The Lost Children is Netflix's latest documentary — a true story about how four children survived a plane that crashed in the Amazon rainforest in Colombia on May 1, 2023. The documentary ...
Diagnosis is a 2019 documentary television series. The series follows Dr. Lisa Sanders as she attempts to help patients with rare illnesses and searches for a diagnosis and cure using wisdom of the crowd methods. [1] [2] [3] The show is based on her column for The New York Times Magazine. It was released on August 16, 2019, on Netflix.
The Bleeding Edge is a 2018 Netflix original documentary film that investigates the $400 billion medical device industry. [1] Written and directed by Kirby Dick and produced by Amy Ziering and Amy Herdy, it premiered at the 2018 Tribeca Film Festival, where it was billed as "the stuff of dystopian nightmares". [2]
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