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On the left: Witches' Sabbath (The Great He-Goat) The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
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Witches' Sabbath 1821–1823, 140cm × 438cm, Museo del Prado. Goya used the imagery of covens of witches in a number of works, most notably in one of his Black Paintings, Witches' Sabbath or The Great He-Goat (1821–1823).
The 1897 illustration with "Samael" and "Lilith" text. The depiction of an inverted pentagram with a goat's head, paired with five Hebrew letters at the pentagram points, first appeared in the 1897 book La Clef de la Magie Noire by French occultist Stanislas de Guaita.
The title El Gran Cabrón (The Great He-Goat) was given by painter Antonio Brugada (1804–1863). [9] The Basque term for a Witches' Sabbath, akelarre, is the source of the Spanish title Aquelarre and a derivation of akerra, the Basque word for a male goat, which may have been combined with the word larre ("field") to arrive at akelarre. [10]
The goat on the frontispiece carries the sign of the pentagram on the forehead, with one point at the top, a symbol of light, his two hands forming the sign of occultism, the one pointing up to the white moon of Chesed, the other pointing down to the black one of Geburah. This sign expresses the perfect harmony of mercy with justice.
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The Black Goat may also be the personification of Pan, since Lovecraft was influenced by Arthur Machen's The Great God Pan , a story that inspired Lovecraft's "The Dunwich Horror" . In this incarnation, the Black Goat may represent Satan in the form of the satyr, a half-man, half-goat. In folklore, the satyr symbolized a man with excessive ...
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