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Gather ye Rose-buds while ye may, Old Time is still a-flying: And this same flower that smiles to day, To morrow will be dying. The glorious Lamp of Heaven, the Sun, The higher he's a getting; The sooner will his Race be run, And neerer he's to Setting. That Age is best, which is the first,
Born in Cheapside, London, Robert Herrick was the seventh child and fourth son of Julia Stone and Nicholas Herrick, a prosperous goldsmith. [2] He was named after an uncle, Robert Herrick (or Heyrick), a prosperous Member of Parliament (MP) for Leicester, who had bought the land Greyfriars Abbey stood on after Henry VIII's dissolution in the mid-16th century.
Gather ye rosebuds while ye may is the first line from the poem "To the Virgins, to Make Much of Time" by Robert Herrick. The words come originally from the Book of Wisdom in the Bible, chapter 2, verse 8. It was the inspiration for several works of art: Gather Ye Rosebuds While Ye May (Waterhouse painting 1908) by John William Waterhouse.
Gather Ye Rosebuds While Ye May is an oil painting on canvas created in 1909 by British Pre-Raphaelite artist John William Waterhouse. It was the second of two paintings inspired by the 17th century poem " To the Virgins, to Make Much of Time " by Robert Herrick which begins:
Gather Ye Rosebuds While Ye May is an oil painting on canvas created in 1908 by British Pre-Raphaelite artist John William Waterhouse. It was the first of two paintings inspired by the 17th century poem "To the Virgins, to Make Much of Time" by Robert Herrick which begins: Gather ye rosebuds while ye may, Old Time is still a-flying;
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
The symbol of the rose in "To the Rose upon the Rood of Time" is firstly one that is constant, binding past and present through its spiritual and romantic referents. Stephen Coote notes that the rose on the rood was a symbol worn around the neck of those belonging to the Hermetic Order of the Golden Dawn: the "female" rose is impaled upon the "male" cross.
Titlepage to 1645 Poems, with frontispiece depicting Milton surrounded by four muses, designed by William Marshall. Milton's 1645 Poems is a collection, divided into separate English and Latin sections, of John Milton's youthful poetry in a variety of genres, including such notable works as An Ode on the Morning of Christ's Nativity, Comus and Lycidas.