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A Christian and a Muslim playing chess, illustration from the Book of Games of Alfonso X (c. 1285). [1]During the High Middle Ages, the Islamic world was an important contributor to the global cultural scene, innovating and supplying information and ideas to Europe, via Al-Andalus, Sicily and the Crusader kingdoms in the Levant.
Islamic art was widely imported and admired by European elites during the Middle Ages. [5] There was an early formative stage from 600-900 and the development of regional styles from 900 onwards. Early Islamic art used mosaic artists and sculptors trained in the Byzantine and Coptic traditions. [6]
The calderia of early Islamic bath complexes at Amra, Sarraj, and Anjar were roofed with stone or brick domes. [19] The caldarium of the early Islamic bath at Qasr Amra contains "the most completely preserved astronomical cupola decoration", a decorative idea for bath domes that would long continue in the Islamic world. [25]
Islamic art is a part of Islamic culture and ... Calligraphic design is omnipresent in Islamic art, where, as in Europe in the ... The medieval Islamic world also had ...
Early Islamic art used mosaic artists and sculptors trained in the Byzantine and Coptic traditions. [20] Instead of wall-paintings, Islamic art used painted tiles, from as early as 862-3 (at the Great Mosque of Kairouan in modern Tunisia), which also spread to Europe. [21]
Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the ...
Lustreware was a speciality of Islamic pottery, at least partly because the use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, [2] with the result that pottery and glass were used for tableware by Muslim elites, when Christian ...
It is also a term for Mudéjar art, which was much influenced by Islamic art, but produced typically by Christian craftsmen for Christian patrons. Mudéjar was used in contrast to both Muslims in Muslim-ruled areas (for example, Muslims of Granada before 1492) and Moriscos , who were often forcibly converted and may or may not have continued to ...
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