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The Olmec rain supernatural (or deity) not only displays the characteristic almond-shaped eyes, cleft head, and downturned mouth—that is, the werejaguar motif—but has several other defining attributes, including a headband and a headdress, the latter usually cleft. [12]
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An archetypical baby-face figurine from Las Bocas.. The "baby-face" figurine is a unique marker of Olmec culture, consistently found in sites that show Olmec influence, [4] although they seem to be confined to the early Olmec period and are largely absent, for example, in La Venta.
Las Limas Monument 1, also known as the Las Limas figure or the Señor de las Limas, is a 55 centimetres (22 in) greenstone figure of a youth holding a limp were-jaguar baby.
Olmec arts are strongly tied to the Olmec religion, which prominently featured jaguars. [53] The Olmec people believed that in the distant past a race of werejaguars was made between the union of a jaguar and a woman. [53] One werejaguar quality that can be found is the sharp cleft in the forehead of many supernatural beings in Olmec art.
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In the surviving Olmec archaeological record, jaguars are rarely portrayed naturalistically, but rather with a combination of feline and human characteristics. These feline anthropomorphic figures may range from a human figure with slight jaguar characteristics to depictions of figures in the so-called transformative pose, kneeling with hands ...
San Lorenzo and the Olmec heartland.. Matthew Stirling was the first to begin excavations on the site after a visit in 1938. [12] Between 1946 and 1970, four archaeological projects were undertaken, including one Yale University study headed by Michael Coe and Richard Diehl conducted between 1966 and 1968, followed by a lull until 1990.