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Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
As a result of the extensive studies of this group, the United States Secretary of the Navy in November 1959 directed establishment of the Atlantic Undersea Test and Evaluation Center (AUTEC) under the Bureau of Ships (now Naval Sea Systems Command) to provide a deep water test and evaluation facility for making underwater acoustic measurement ...
William Gilbert Grace, commonly known as W. G. Grace, is generally considered one of the greatest cricketers of all time. [1] [2] [3] His first-class cricket career spanned 44 seasons, from 1865 until 1908, [3] [4] during which time he claimed over 2,800 wickets and over 800 catches. [5]
Born and Raised is the fifth studio album by American singer-songwriter John Mayer, released on May 22, 2012, by Columbia Records.It marked yet another change in Mayer's musical style, incorporating elements of folk and Americana, as well as influences from Bob Dylan, Neil Young, David Crosby, Stephen Stills, and Graham Nash.
A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." [4] "'Inbetween chords' that help you get from one chord to another are called passing chords." [5] For example, in the simple chord progression in the key of C Major, which goes from Imaj7/iii7/ii7/V7 ...
Stride piano is highly rhythmic because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays syncopated melody lines with harmonic and riff embellishments ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
For instance, if a piano piece had a C major triad in the right hand (C–E–G), with the bass note a G with the left hand, this would be a second inversion C major chord, which would be written G 6 4. If this same C major triad had an E in the bass, it would be a first inversion chord, which would be written E 6