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The urbanization of Cameroon has had a major influence on the country's music. Migration to the city of Yaoundé, for example, was a major cause for the popularization of bikutsi music. During the 1950s, bars sprang up across the city to accommodate the influx of new inhabitants and soon became a symbol for Cameroonian identity in the face of ...
Mvet: a unique bar zither found only in central Africa (Cameroon, Gabon, and a small part of the DR Congo). Arched harp: very widespread in Africa, and likely originated in North Africa several millennia ago. Typically with pentatonic tuning and 5-6 strings in Cameroon, and is especially prevalent in northern Cameroon.
Ambasse bey or ambas-i-bay is a style of folk music and dance from Cameroon. The music is based on commonly available instruments, especially guitar, with percussion provided by sticks and bottles. [1] The music is faster-paced than assiko. John Hall described its rhythm as the one of a moving broom.
Cameroon culture consists of numerous religions including Christianity (about 79%), Islam (about 21%), and many other indigenous religions. The citizens of Cameroon are entitled to freedom of religion, as it is stated within their constitution. Therefore, citizens are free to practice any religion they choose, without harassment or forceful ...
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Mangambeu is a traditional music genre that is related to bolobo in terms of rhythm. [27] Bikutsi is similar, with a 6/8 time signature and is influenced by the Beti culture. [28] The inspirations range from the history of war connections (being that traditional bikutsi is based on a war rhythm) to entire kingdoms. [29]
D. Music and Dance: Music and dance play a vital role in Bassa society, serving as expressions of joy, grief, and celebration. The Bassa people use various traditional instruments, such as drums , xylophones , and flutes , to accompany their dances, which are characterized by rhythmic movements and colorful costumes.
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