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The design was most infrequently used in Britain, the south porch of St Mary the Virgin, Oxford, being the only exterior example found by Robert Durman, [3] and was still rare in English interior design, an example noted by Durman is the funerary monument for Helena, Lady Gorges (died 1635) at Salisbury perhaps the sole use.
Shelly-sandy ware is defined as both shell-and-sand tempered and sand-with shell tempered wares. [2] Shelly-sandy ware produced in the Greater London area was typically created with both quartz sand and ground-up shell or whole shell as temper. The fabric is generally dark grey in colour with brown oxidised surfaces. [3]
Buildings can appear to be twisted by design, where the twisting (torsion, helix, etc.) is structural rather than merely an ornamental detail.The Council on Tall Buildings and Urban Habitat defines a twisting building as one that progressively rotates its floor plates or its façade as it gains height. [1]
Shelly ware, is a type of pottery found in Great Britain from the seventh through the twelfth centuries. Shelly ware includes Late Saxon Shelly ware, Early Medieval ...
Cowham designed a series called Playtime; the design was a simple representation of children's activities. A second series of designs were produced in 1927 and in 1928 a tea set with a seaside theme was produced. The teapot was a bathing tent, the sugar bowl was a sea side bucket and the milk jug was a shell with a seaweed handle.
A designed twist in the spire of old western town gate of Duderstadt in Germany An unintended crooked spire on St Mary's Church in England. A crooked spire, (also known as a twisted spire) is a tower that, through accident or design, contains a twist or does not point perfectly straight upwards. There are about a hundred bell towers of this ...
Ralph and Shelly Stayer, owners of Johnsonville LLC, are Wisconsin natives, lifelong baseball enthusiasts and longtime sponsors of the Brewers, said club Chair and principal owner Mark Attanasio.
"Twisted" is a 1952 vocalese song with lyrics by Annie Ross, set to a tenor saxophone solo of the same title by Wardell Gray that was recorded in 1949. It has been covered by Bette Midler , Joni Mitchell , and many others.