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Smaller scale instruments are also quite commonly used by fully-grown players in jazz, folk music and similar ensembles. The system of conventional fractions is taken to its logical conclusion with string bass sizes, in that a full-size (4/4) bass is uncommon. Most basses are 3/4 or 7/8, and younger players can use 1/2 or even 1/4 size instruments.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Squier classic vibe Duo-Sonic, it copies the appearance of the first generation of Fender Duo-Sonic. The Fender Duo-Sonic was introduced in 1956. Like the Musicmaster introduced a few months earlier, it featured basic but effective construction and a 22.5 inch scale length (standard Fender guitars feature a 25.5 inch scale) and cost $149.50 (equivalent to $1,675 in 2023). [1]
The Gibson ES-140 is an electric guitar manufactured by the Gibson Guitar Corporation from 1950 to 1968. The ES-140 was designed to be a student model guitar targeted towards younger players and players with smaller hands. It is 3/4 scale hollow-body guitar with a single pick up.
The Fender Musicmaster is a solid body electric guitar produced by Fender. It was the first 3/4 scale student-model guitar Fender produced. A Musicmaster Bass model was also put on the market. Musicians such as David Byrne and Liz Phair used a Fender Musicmaster.
The 330 group consists of full scale guitars with standard features. These models (numbers 330 to 345) feature 24 + 3 ⁄ 4 in (630 mm) scale necks, unbound 15 in (380 mm) wide bodies with Rickenbacker's trademark "slash" sound hole, and pearl dot fretboard inlays. The deluxe 360 model group, numbers 360 to 375.
A very small guitar with a body shaped like an elongated triangle, similar in shape to certain types of psaltery, and designed to be very portable and inexpensive while still being constructed of quality woods. The guitar is famous for having originally been designed by Robert McAnally before Martin took over the design, and was the first ...
The 325 was designed by Roger Rossmeisl, a guitar craftsman from a family of German instrument makers. Production models had a 20 + 3 ⁄ 4-inch (530 mm) short scale, dot fretboard inlays, and a small (12 + 3 ⁄ 4-inch-wide [320 mm]) body. The body is unbound, semi-hollow, with an angled sound hole, and boasts "crescent moon"-style cutaways.
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