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"Dial Out" fits the album. On "Glorianna (Hymn a la Femme)" Vangelis uses synthesizers and orchestral percussion to support the operatic vocals. "Rotation’s Logic" is sort of pop-electronica. "The Oracle of Apollo" combines harp with synthesized strings and bass, capturing with "Glorianna (Hymn a la Femme)" the best elements in Vangelis style.
Originally concluded with 'Alleluja' chorus (HG 20, p. 161), short instrumental ending probably written by Handel for Walsh publication. First performed with "Athalia" (HWV 52) 293 Organ F major ?26 March 1735 London, Covent Garden Theatre 1738 Opus 4 No. 5 Performed with revival of "Deborah" (HWV 51). 294 Harp, later Organ B-flat major
In June and July 2009, Julia returned to her percussion and harp duties for the 30th anniversary tour of Jeff Wayne's Musical Version of The War of the World for a 21-concert tour of U.K. and Europe. According to her webpage, Julia has plans to go into the studio and record her own music and record with members of Lunar Dunes, a band that she ...
Concerto for Harp and Chamber Orchestra, Op. 69 (1977) [45] Geirr Tveitt. Harp Concerto No. 1 (Lost) Harp Concerto No. 2 "Concerto Eroico" op.170 (1957) [46] Heitor Villa-Lobos. Harp Concerto (1953) Georg Christoph Wagenseil. Concerto for Harp and strings in F, WWV 281 (1761) John Williams. On Willows and Birches (2009) Mario Zafred
Harp Concerto (1938) George Frideric Handel. Concerto in B-flat major for harp and orchestra, Op. 4, No. 6, HWV 294 (1738) Patrick Hawes. Highgrove Suite (2010) Jennifer Higdon. Harp Concerto (2018) [1] Anatoliy Kos-Anatolsky. Harp Concerto in F minor (1954) Wolfgang Amadeus Mozart. Concerto for Flute, Harp, and Orchestra, K. 299 (1778) Walter ...
In 2004 the band went on a short U.S. tour in support of their triple-live album Stark Raving Jams (a collection of various live instrumental and improvisational material from throughout their career). The album/tour served to successfully re-introduce Glass Harp into the jam band scene, in which they are now considered a pioneering group.
Britten composed the music at the same time as the Hymn to St. Cecilia and in similar style. Originally conceived as a series of unrelated songs, it was later unified into one piece with the framing processional and recessional chant in unison based on the Gregorian antiphon "Hodie Christus natus est". A harp solo based on the chant, along with ...
Hymn to St Cecilia, Op. 27, for unaccompanied choir (poem by W. H. Auden; 1942) A Ceremony of Carols, Op. 28, for treble voices and harp (1942); an alternative arrangement for mixed voices and harp (or piano) is popular as well; Rejoice in the Lamb, Op. 30, for four soloists, choir, and organ (text by Christopher Smart; 1943)