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The Crombie style incorporated a heavy, dark, woollen, knee-length overcoat paired with a red, silk, handkerchief in the upper pocket. [9] In 1996 designer William Johnston Ewart, inspired by the deep tones of the iconic Crombie Overcoating Range, created tartan which was placed on the Scottish Register of Tartans for the Crombie House Check.
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
The formal variety was sometimes called a Prince Albert overcoat. The Prince Albert top frock, from the later half of the 19th century, originally had a three-inch-wide velvet collar, and flap pockets at the hip, until 1893, when it became even more fitted, longer, and double-breasted. [2]
The Mongolian Cashmere Wide-Rib Cropped Mockneck Sweater from Quince is crafted from 100% Grade-A Mongolian cashmere, known for its softness and durability. The style has subtle dropped shoulders ...
The Ulster coat, a working daytime overcoat initially with a cape top covering sleeves, but then without; it evolved to the polo coat after losing its cape. The Inverness coat, a formal evening or working day overcoat, with winged sleeves. The Paletot coat, a coat shaped with side-bodies, as a slightly less formal alternative to the frock overcoat.
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