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Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference.
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
Traditionally, haiku contain a kireji, or cutting word, usually placed at the end of one of the poem's three sections, and a kigo, or season-word. [134] The most famous exponent of the haiku was Matsuo Bashō (1644–1694). An example of his writing: [135] 富士の風や扇にのせて江戸土産 fuji no kaze ya oogi ni nosete Edo miyage
Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. . Narrative poems do not need to
William Shakespeare [a] (c. 23 [b] April 1564 – 23 April 1616) [c] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
In the late Meiji period, the poet and literary critic Masaoka Shiki (1867–1902) first used the term haiku for the modern, standalone verses of haikai that Bashō had popularized. Until then, haiku had been called hokku , a term which refers to the first verse in a renga sequence.
In the late 19th century, Masaoka Shiki (1867–1902) renamed the standalone hokku as "haiku", [2] and the latter term is now generally applied retrospectively to all hokku appearing independently of renku or renga, irrespective of when they were written. [3] The term hokku continues to be used in its original sense, as the opening verse of a ...
Hazlitt's treatment of the character of Iago is written in part as a response to those who "thought this whole character unnatural, because his villainy is without a sufficient motive." [158] Hazlitt responds with a psychological analysis that exerted great influence and sparked considerable discussion: Shakespeare "knew that the love of power ...