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This marriage ceremony was called Gandharva Vivah. Thereafter, Krishna and Radha spent time together in delightful pastimes. After some time, Krishna again returned to his infant form and promised Radha that they would keep returning to Bhandirvan for their lovable pastimes. Thereafter, Radha took the infant Krishna back to his mother Yashoda".
Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
Rasikapriya, a Braj text on poetics depicts Radha as the married consort of Krishna. It is a frequently illustrated text that deals with the Radha Krishna's romance and is written by one of the most prominent writers of the Riti kavya tradition, Kesavdas. Changes in the portrayal of Radha, as articulated in the Rasikapriya, have significant ...
When Radha protests, he lusts for her and agrees to stop it if she marries him. Radha agrees. However she puts the condition that he must weigh her in gold. Hans fails to do so. When he abducts Radha, Krishn breaks Mahadev's boon and kills Hans. To settle the fight, Krishna narrates the story of Bhasmasur. Mahadev accepts his fault.
The Brahmavaivarta Purana, along with Bhagavata Purana, have influenced performance arts and cultural celebrations in India, such as with Rasa Lila in Manipur above.. This text is mostly legends, worship, mythology and drama during the life of Radha and Krishna, with discussion of ethics, dharma, four stages of life and festivals embedded as part of the plot.
[2] While the system of Gaudiya Vaishnavism is strictly theistic, seeing god as a supreme person, the Vaiṣṇava Sahajiyās saw Krishna as the true form (svarupa) which dwells inside all males (and Radha was likewise in all women). Thus, in Vaiṣṇava Sahajiyā, Krishna and Radha are cosmic forces that are embodied in all beings.
The frame of the Rādhātantram is a dialogue between Shiva and Parvati where Shiva narrates her the love story and divine pastimes of Radha Krishna and their real spiritual forms. In Radha tantra, Radha becomes the independent goddess and elevates to the stature of Supreme goddess and Krishna's ultimate guru. Krishna here becomes her disciple ...
Brooklyn Museum - Krishna and Radha Seated on a Terrace. The Rādhikā-sāntvanam ('Appeasing Radhka') is a poem composed by the Telugu-language poet and devadasi Muddupalani (1739–90) concerning the marital relationship of the deity Krishna, his new wife Ila, and her aunt Radha and the appeasement of the jealousy of Radha.