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Sumizuri-e Print by Nishikawa Sukenobu. Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing, dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses ...
Sumi-e painter Sesshū Tōyō: 1420–1506 Associated with Sumi-e: Shingei: 1431–1485 Also known as Geiami, yamato-e ink painter Soami: d. 1525 Painter and landscape artist; one of the first nanga painters Yosa Buson: 1716–1784 Painter who perfected the nanga style, also a renowned poet Ike no Taiga: 1723–1776 Painter who perfected the ...
To create his monochrome paintings in diluted greys and black ink, Sesshū used black sumi, meaning charcoal or soot-based solid ink on paper or silk, thus following the art of sumi-e [8] Some of Sesshū's most acclaimed works include Winter Landscape (c. 1470s), Four Landscape Scrolls of the Seasons (c. 1420 – 1506) and, Birds and Flowers (c ...
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations.
Michael Hofmann is an artist and teacher. He has been an active sumi-e painter since moving from the United States to Japan in 1972. For 33 years Hofmann worked closely with Jikihara Gyokusei [] (1904-2005), the prominent sumi-e painter, Abbot of Kokusei-ji Temple, Awajishima and Director of Japan's National Association of Nanga Painters.
In 1958 she moved to 24 Cornelia ST. in New York City, where she made ends meet by holding a variety of jobs, all while continuing to pursue her passion with studying art. In 1973, she founded the Koho School of Sumi-e on the corner of Macdougal and Houston Streets in New York City where she taught traditional Japanese ink painting techniques.
Under Iketani, a locally prominent artist, Horiuchi studied traditional sumi-e (or ink wash) technique, and won second prize in a nationwide landscape painting competition. [ 4 ] Early years in the U.S.
His sumi-e style paintings are reported to take inspiration from three distinct Chinese masters of the sumi-e technique, Mu-ch'i Fa-ch'ang, Hsia Kuei, and Yü Chien (c. 1230). [3] However, he was versatile in his painting and was able to produce landscapes, scenery, and figures of bold decorative patterns. [2]
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