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Making its debut in January 1997, Your Weekend with Jim Brickman is a four-hour radio show that has been heard across the US featuring music blended with celebrity interviews, lifestyle features and entertainment reports. [25] In 2018, The Jim Brickman Show Podcast debuted on Pandora.
"Boricua en la luna" is a poem written by Juan Antonio Corretjer. On the booklet of Roy Brown's hits album Colección, he writes that the song "could've never been".Brown writes that in the late 70s, Corretjer handed him the lyrics, which he intended to be décimas, to see if Roy could come up with something.
"The Gift" is a song co-written and performed by American recording artist Jim Brickman, featuring singers Collin Raye and Susan Ashton. It was released in 1997 on Windham Hill Records as the first single and as well as the thirteenth track from his fourth studio album of the same name.
Ojos azules, is a "taquirari" (traditional bolivian folklore) written by in 1947 by the Bolivian composer Gilberto Rojas Enriquez. The Peruvian composer Manuel Casazola Huancco was also erroneously attributed as the author of the song.
Spanish American gold coins were minted in one-half, one, two, four, and eight escudo denominations, with each escudo worth around two Spanish dollars or $2. The two-escudo (or $4 coin) was the "doubloon" or "pistole", and the large eight-escudo (or $16) was a "quadruple pistole".
"Destiny" is a song co-written and performed by American recording artist Jim Brickman, featuring singer Jordan Hill and Billy Porter. It was released in 1999 on Windham Hill Records and BMG as the second single and as well as the thirteenth track from his fifth studio album of the same name.
Jazz keyboardist Jim Beard, who played with Steely Dan for more than a decade, has died. The rock band confirmed Beard's death on its website. Jim Beard, longtime keyboardist for Steely Dan, dies ...
The vals criollo (English: Creole waltz), or Peruvian waltz (Spanish: vals peruano), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's ...