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At the city's cemetery of cats, he and colleagues emptied several large pits up to a volume of 20 m 3 (720 cu ft) filled with cat and Egyptian mongoose (Herpestes ichneumon) bones. [34] Among the bones, some embalming material, porcelain and bronze objects, beads and ornaments, and statues of Bastet and Nefertem were also found. By 1889, the ...
The Egyptian Mau is the fastest of the domestic cats, [12] with its longer hind legs, and unique flap of skin extending from the flank to the back knee, which assists in running by allowing the legs to stretch back farther, providing for greater agility and length of stride. Maus have been clocked running more than 48 km/h (30 mph).
Dancing played an important role in the lives of the ancient Egyptians. However, men and women are never depicted dancing together. [1] [2] The trf was a dance performed by a pair of men during the Old Kingdom. [3] Dance groups were accessible to perform at dinner parties, banquets, lodging houses, and even religious temples.
Taj performs through The Egyptian Cultural Performing Arts Society, whose mission is to educate the public about Egyptian culture. [9] The mainstay of Taj's repertoire for the organization is Journey Down the Nile , [ 3 ] : B1 a multi-media Egyptian cultural program which consists of regional dances of Egypt interspersed with film clips that ...
Bastet, the cat goddess, is an example of one such deity. [1] In 1888, an Egyptian farmer digging in the sand near Istabl Antar discovered a mass grave of felines, ancient cats that were mummified and buried in pits at great numbers.
The remains of prehistoric humans and even Egyptian mummies from 5,000 years ago have displayed evidence of having had TB. In the 1800s, TB was one of leading causes of death in Europe, but ...
Many people liked the dancing of the Ghawazi, but felt it was improper because of its being danced by women who should not expose themselves in this manner. Because of this, there was a small number of young male performers called Khawals. The Khawals were Egyptian male traditional dancers who impersonated the women of the Ghawazi and their dance.
A sesheshet-type sistrum, shaped like a naos, Twenty-sixth Dynasty (ca. 580–525 BCE). The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bat, it was used in dances and religious ceremonies, particularly in the worship of the goddess Hathor, with the U-shape of the sistrum's handle and frame seen as resembling the face and horns of the cow goddess. [9]