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Libertango is a composition by tango composer and bandoneon player Astor Piazzolla, recorded and published in 1974 in Milan. The title is a portmanteau merging " Libertad " (Spanish for "liberty") and "tango", symbolizing Piazzolla's break from classical tango to tango nuevo .
Astor Pantaleón Piazzolla (Spanish:, Italian: [pjatˈtsɔlla]; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed nuevo tango , incorporating elements from jazz and classical music .
The pieces were scored for his quintet of violin (viola), piano, electric guitar, double bass and bandoneón. By giving the adjective porteño, referring to those born in Buenos Aires, the Argentine capital city, Piazzolla gives an impression of the four seasons in Buenos Aires. The order of performance Piazzolla gave to his "Estaciones ...
Recorded in New York City in 1987, the album was produced by Kip Hanrahan and Piazzolla. [5] [6] Its music was originally developed as a theater performance about the history of the tango. [7] Piazzolla, who played the bandoneon, recorded the album with his Quinteto Tango Nuevo. [8] [9] Paquito D'Rivera played saxophone on Rough Dancer. [10]
He is listed under his real name, Giuseppe Prestipino, on the record Libertango with Ástor Piazzolla and in Summit by Ástor Piazzolla and Gerry Mulligan. He is listed under the name Giuseppe "Pino" Prestipino Giarritta on the records La Onda Máxima and Onda Nueva Instrumental by the Venezuelan pianist, composer, arranger Aldemaro Romero .
The song juxtaposes "Libertango", an Argentine tango classic written by composer and bandoneonist Astor Piazzolla (first recorded by Piazzolla himself in 1974), against a tango, reggae and chanson sound [1] and new lyrics penned by Jones herself and Barry Reynolds. Lyrically, it describes the darker side of Parisian nightlife.
La Camorra is the name of a three-movement suite for tango ensemble composed by Ástor Piazzolla.It was inspired by the Neapolitan criminal organization Camorra and represents Piazzolla's most ambitious compositional statement in length and large-scale musical form, though not in harmony or timbre.
It has continued to grow in popularity and spread internationally, adding modern elements without replacing the older ones. Among its leading figures are the singer and songwriter Carlos Gardel and composers/performers Francisco Canaro, Juan D'Arienzo, Carlos Di Sarli, Osvaldo Pugliese, Elvira Santamaría, and Ástor Piazzolla.
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