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The Mass No. 3 in F minor, WAB 28, is a setting of the mass ordinary for vocal soloists, chorus and orchestra, and organ ad libitum, that Anton Bruckner composed in 1867–1868. [ 1 ] History
The piece is composed for eight-part mixed choir and wind instruments (2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets and 3 trombones). [ 5 ] It is based strongly on old-church music tradition, and particularly old Gregorian style singing.
The discography of Mass No. 1 is less abundant than that of the following Masses No. 2 and No. 3.Except for a partial recording (Gloria only) performed by Pius Kalt in around 1925, the first recording was taped by F. Charles Adler for his SPA label in 1954 and issued the following year.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Mass No. 5 in A-flat major, D 678, is a mass composed by Franz Schubert, completed in 1822.There is no record of a performance during Schubert's lifetime. It is scored for soprano, alto, tenor and bass soloists, SATB choir with divisi, violin I and II, viola, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones colla parte, timpani and basso continuo (cello, double bass ...
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Missa in tempore belli (English: Mass in Time of War) is a setting of the mass by Joseph Haydn.It is catalogued Mass No. 10 [1] in C major (Hob. XXII:9). [1] Known also as the Paukenmesse due to the dramatic use of timpani, it is one of the most popular of his fourteen mass settings.