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Gaman is also used in psychoanalytic studies [38] and to describe the attitudes of the Japanese. It is often taught to youth and is largely used by older Japanese generations. Showing gaman is seen as a sign of maturity and strength. Keeping private affairs, problems and complaints silent demonstrates strength and politeness as others have ...
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
Yojijukugo in the broad sense refers to Japanese compound words consisting of four kanji characters, which may contain an idiomatic meaning or simply be a compound noun. [3] However, in the narrow or strict sense, the term refers only to four- kanji compounds that have a particular (idiomatic) meaning, which cannot be inferred from the meanings ...
Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji.
A saijiki (歳時記, lit. "year-time chronicle") is a list of Japanese kigo (seasonal terms) used in haiku and related forms of poetry. An entry in a saijiki usually includes a description of the kigo itself, as well as a list of similar or related words, and some examples of haiku that include that kigo. [1]
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
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Japanese poetry such as tanka and haiku are very short and focus on the defining attributes of a scene. "By withholding verbose descriptions the poem entices the reader to actively participate in the fulfillment of its meaning and, as with the Zen gardens, to become an active participant in the creative process."