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Senryū (川柳) is a Japanese form of short poetry similar to haiku in construction: three lines with 17 morae (or on, often translated as syllables, but see the article on onji for distinctions). Senryū tend to be about human foibles while haiku tend to be about nature, and senryū are often cynical or darkly humorous while haiku are more ...
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
Gaman is also used in psychoanalytic studies [38] and to describe the attitudes of the Japanese. It is often taught to youth and is largely used by older Japanese generations. Showing gaman is seen as a sign of maturity and strength. Keeping private affairs, problems and complaints silent demonstrates strength and politeness as others have ...
A poetry card from the card game version of the Ogura Hyakunin Isshu, a compilation of tanka. Tanka (短歌, "short poem") is a genre of classical Japanese poetry and one of the major genres of Japanese literature. [1] [2] [3]
Ensō (円相) is a Japanese word meaning "circle". It symbolizes the Absolute, enlightenment, strength, elegance, the Universe, and the void; it also may be taken to symbolize the Japanese aesthetic itself. Zen Buddhist calligraphists may "believe that the character of the artist is fully exposed in how she or he draws an ensō.
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Kyōka (狂歌, "wild" or "mad poetry") is a popular, parodic subgenre of the tanka form of Japanese poetry with a metre of 5-7-5-7-7. The form flourished during the Edo period (17th–18th centuries) and reached its zenith during the Tenmei era (1781–89).