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In US cinema, Blaxploitation is the film subgenre of action movie derived from the exploitation film genre in the early 1970s, consequent to the combined cultural momentum of the Black civil rights movement, the black power movement, and the Black Panther Party, political and sociological circumstances that facilitated Black artists reclaiming their power of the Representation of the Black ...
They called this genre blaxploitation. Many blaxploitation films have a mix of comedy and horror. However, director William Crain took the aspect of horror in these films one step further and created the first blaxploitation horror film, Blacula. As a result, a new subgenre of blaxploitation was created, dedicated solely to horror. [3]
Blaxploitation films are a subset of exploitation films, a term derived from the film marketing term emphasizing the promotion of a brand-name star, a trending topic or titilliating subject matter — in short, a nearly surefire draw at the box office. [38] Both exploitation and blaxploitation films are low-budget B-movies, designed to turn a ...
In the 1950s, Metropolitan Theatres expanded into Santa Barbara. [3] In the 1970s, they shifted to blaxploitation films in their downtown Los Angeles theaters, in the 1980s, those same theaters shifted again, to Spanish language cinema. The company at one point had more than 1000 employees. [1] The company filed for Chapter 11 bankruptcy in 2024.
Junius Griffin (January 13, 1929 – June 1, 2005) [1] was an African American Civil Rights activist working as the President of the Beverly-Hills Hollywood chapter of the NAACP, [2] who is best known for his work alongside Martin Luther King Jr. as well as for coining the term “Blaxploitation” in regard to the African American film industry of the 1970s.
B. BaadAsssss Cinema; The Bad Bunch; Bamboo Gods and Iron Men; Bare Knuckles; Black Belt Jones; Black Caesar (film) Black Chariot; Black Cobra (film series) Black Devil Doll from Hell
In blaxploitation filmmaking, it was a common practice to title blaxploitation films after previously successful films starring predominantly white casts, and produce similarly titled films starring predominantly African American casts, as observed in the films Black Shampoo (1976, after Shampoo), Black Lolita (1975, after Lolita) and The Black ...
The music of Blaxploitation films is discussed, focusing on Curtis Mayfield's Super Fly and Isaac Hayes' Shaft. Interviews with writer/director Larry Cohen and film historian Armond White are also featured. BaadAsssss Cinema was originally shown on the Independent Film Channel in August 2002 as part of a week-long Blaxploitation film festival. [1]