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Postnik Yakovlev (Russian: Постник Яковлев; born 16th century in Pskov) was a Russian architect best known as one of the builders of the Saint Basil's Cathedral on Red Square in Moscow (built between 1555 and 1560, the other architect is Barma). It is thought that he was nicknamed "Barma" (Барма) ("the mumbler"), although it ...
The name of the cathedral, which is still more common today, was given in memory of Basil the Blessed, who was venerated by tsar Ivan at the time, and after his death in 1522, he was buried near the cathedral. Ivan Barma and Postnik Yakovlev were among the most popular architects of the church.
Tradition held that the church was built by two architects, Barma and Postnik: [18] [19] the official Russian cultural heritage register lists "Barma and Postnik Yakovlev". [1] Researchers proposed that both names refer to the same person, Postnik Yakovlev [19] or, alternatively, Ivan Yakovlevich Barma (Varfolomey). [18]
Ivan Barma (Иван Барма), together with Postnik Yakovlev, was probably one of the architects and builders of Saint Basil's Cathedral on Red Square in Moscow (built between 1555 and 1560). [ citation needed ]
However, in reality Postnik Yakovlev went on to design more churches for Ivan and the walls of the Kazan Kremlin in the early 1560s as well as the chapel over Saint Basil's grave, which was added to Saint Basil's Cathedral in 1588, several years after Ivan's death. Although more than one architect was associated with that name, it is believed ...
Yury Yakovlev is best known for his roles in late Soviet film, particularly for his roles in Eldar Ryazanov's and Leonid Gaidai's comedies. Yakovlev's most popular comedic roles in Eldar Ryazanov's films are Poruchik Rzhevsky in Hussar Ballad (1962), Ippolit in The Irony of Fate (1976), and comic roles of the tsar Ivan the Terrible and his namesake Ivan Vasilevich Bunsha in Leonid Gaidai's ...
The show's creator seemingly admitted Tony’s death in 2019 when he was asked by The Sopranos Sessions co-author Alan Sepinwall about the series’ final scene. “Yes, I think I had that death ...
The scene is perhaps the best example of Eisenstein's theory on montage, and many films pay homage to the scene, including: Terry Gilliam's Brazil; Brian De Palma's The Untouchables [36] George Lucas's Star Wars: Episode III – Revenge of the Sith [37] Tibor Takacs's Deathline; Laurel and Hardy's The Music Box; Chandrashekhar Narvekar's Hindi ...