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Léonin (also Leoninus, Leonius, Leo; fl. 1135–1201) was the first known significant composer of polyphonic organum.He was probably French, probably lived and worked in Paris at the Notre-Dame Cathedral and was the earliest member of the Notre Dame school of polyphony and the ars antiqua style who is known by name.
Pérotin [n 1] (fl. c. 1200) was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music.He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies.
The earliest motets are the Notre-Dame motets, written by composers such as Leonin and Perotin during the 13th century. These motets were polyphonic, with a different text in each voice, and employed the rhythmic modes. An example of a Notre-Dame motet is Salve, salus hominum/O radians stella/nostrum by Perotin, composed between 1180 and 1238.
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Anonymous IV is the designation given to the writer of an important treatise of medieval music theory. [1] He was probably an English student working at Notre Dame de Paris, most likely in the 1270s or 1280s.
Léonin's two-part version of Viderunt Omnes was written about 1170 (the composer's dates are fl. 1150s — d. ? 1201). In his variation, the bottom voice sings the familiar chant as a drone while the top voice echoes in rich polyphony—a symbol of religious unity; a form of communal togetherness.
In the beginning of the 1960s, as Lycée Léonin at Sina Street had already 700 students in primary and high school, the building was deemed insufficient and the construction of a new campus in Nea Smyrni was decided and was completed in September 1962. The new campus was inaugurated by the President of the French Republic Charles De Gaulle.
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