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Plectrum banjo from Gold Tone. The four-string plectrum banjo is a standard banjo without the short drone string. It usually has 22 frets on the neck and a scale length of 26 to 28 inches, and was originally tuned C3 G3 B3 D4. It can also be tuned like the top four strings of a guitar, which is known as "Chicago tuning". [64]
Peabody also developed a special electric banjo—first with Vega, and later with the Fender Company and Rickenbacker—called the Banjoline. It was tuned as a plectrum banjo but with the 3rd and 4th strings doubled in octaves, as on a 12-string guitar. [3] Although seldom performed on today, it is a highly prized collector's item.
Standard aka "Banjo tuning" (octave higher than the plectrum banjo) Bugarija, 5 string 5 strings 4 courses. Standard/common: G 2 •B 2 •D 3 •G 3 G 3. Alternates: D 2 •F ♯ 2 •A 2 •D 3 D 3; E 2 •G ♯ 2 •B 2 •E 3 E 3; Kontra Croatia, Serbia, Slovenia First course is sometimes not doubled. Bugarija, 6 string 6 strings 4 courses ...
Also common are tuning one octave below standard violin tuning, G 2 −D 3 −A 3 −E 4, which is typical of the tenor banjo in Irish folk music or "octave mandolin," and the so-called "Chicago tuning", D 3 −G 3 −B 3 −E 4, the same as the top four strings of a standard guitar, or the "baritone ukulele," a slightly smaller instrument ...
Chicago's music scene has been well known for its blues music for many years. "Chicago Blues" uses a variety of instruments in a way which heavily influenced early rock and roll music, including instruments like electrically amplified guitar, drums, piano, bass guitar and sometimes the saxophone or harmonica, which are generally used in Delta blues, which originated in Mississippi.
In 1948, Condon's autobiography We Called It Music was published. Eddie Condon's Treasury of Jazz (1956) was a collection of articles co-edited by Condon and Richard Gehman. A latter-day collaborator, clarinetist Kenny Davern , described a Condon gig: "It was always a thrill to get a call from Eddie and with a gig involved even more so.
The Banjoline is a four coursed instrument similar to a tenor guitar or plectrum banjo. The instrument was developed by Eddie Peabody in the 1930s, initially as an acoustic instrument. In the early 1950s, Peabody approached the Vega Company of Boston, Massachusetts which produced several electric versions of the instrument, but never put them ...
McKenzie and Condon's Chicagoans was an American jazz band from Chicago, led by banjo player Eddie Condon and sponsored by singer and comb player Red McKenzie. Their four recordings in December 1927 were important influences on early Chicago style jazz. [1] The group got together in 1962 for a reunion, to record the album Chicago and All That Jazz.
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