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Nicola Joy Nadia Benedetti CBE (born 20 July 1987) is an Italian-Scottish classical solo violinist and festival director. Her ability was recognised when she was a child, including the award of BBC Young Musician of the Year when she was 16.
It won two Grammy Awards in 1986: Best Instrumental Jazz Performance, Individual or Group and Best Jazz Instrumental Performance, Soloist. [5] The album was selected by the Library of Congress for preservation in the National Recording Registry in 2023 describing it as one of Wynton's "most beloved & artistically successful recordings, hearkening back to midcentury acoustic jazz but with a ...
Wynton Learson Marsalis (born October 18, 1961) is an American trumpeter, composer, and music instructor, who is currently the artistic director of Jazz at Lincoln Center. He has been active in promoting classical and jazz music, often to young audiences.
Marsalis: Violin Concerto in D Major. Wynton Marsalis, composer (Nicola Benedetti, Cristian MÄcelaru & Philadelphia Orchestra) Norman: Sustain. Andrew Norman, composer (Gustavo Dudamel & Los Angeles Philharmonic) Shaw: Orange. Caroline Shaw, composer (Attacca Quartet) Wolfe: Fire in My Mouth
Haydn, Hummel, L. Mozart: Trumpet Concertos is a studio album of trumpet concertos by Joseph Haydn, Leopold Mozart and Johann Nepomuk Hummel, performed by Wynton Marsalis with the National Philharmonic Orchestra under the direction of Raymond Leppard. The album won a Grammy award in 1984 for Best Instrumental Soloist Performance with orchestra.
Recording of a Wynton Marsalis symphony will be the DSO's first new album in eight years. DSO extends music director's contract through 2031; album of Wynton Marsalis symphony on the way Skip to ...
The Marciac Suite is an album by the American musician Wynton Marsalis, released in 2000. [1] [2] He is credited with his Septet. [3] Marsalis recorded the music for the annual Jazz in Marciac festival. [4] The album was originally included as a bonus disc with the Swinging into the 21st series, released in 1999. [5]
Allmusic's Matt Collar rated the album four stars and stated, "Loose, swinging, funky, and spirited, Live at the House of Tribes is an absolute joy." [3] Jazz critic Ben Ratliff of the New York Times says of the album, "Throughout the record, the playing almost never goes outside of tonality, and the rhythm section holds fast to swing.