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Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Below is the text of A solis ortus cardine with the eleven verses translated into English by John Mason Neale in the nineteenth century. Since it was written, there have been many translations of the two hymns extracted from the text, A solis ortus cardine and Hostis Herodes impie, including Anglo-Saxon translations, Martin Luther's German translation and John Dryden's versification.
Apparebit repentina is an anonymous abecedarian Latin hymn on the Day of Judgement.Since it is mentioned by Bede, it is believed to date to the 7th century or earlier.. It was translated into English by John Mason Neale as "That great Day of wrath and terror" in his collection Mediaeval Hymns and Sequences (3rd ed. 1867).
Translated into Latin from Baudelaire's L'art pour l'art. Motto of Metro-Goldwyn-Mayer. While symmetrical for the logo of MGM, the better word order in Latin is "Ars artis gratia". ars longa, vita brevis: art is long, life is short: Seneca, De Brevitate Vitae, 1.1, translating a phrase of Hippocrates that is often used out of context. The "art ...
The Lacrimosa (Latin for "weeping/tearful"), is part of the Dies Irae sequence in the Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. [ 1 ] Many composers, including Mozart , Berlioz , and Verdi have set the text as a discrete movement of the Requiem .
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The sequence employed in the Requiem, Dies irae, attributed to Thomas of Celano (c. 1200 – c. 1260–1270), has been called "the greatest of hymns", worthy of "supreme admiration". [1] The Latin text is included in the Requiem Mass in the 1962 Roman Missal. An early English version was translated by William Josiah Irons in 1849.