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Gargoyles of Notre-Dame de Paris Dragon-headed gargoyle of the Tallinn Town Hall, Estonia Gargoyle of the Vasa Chapel at Wawel in Kraków, Poland. In architecture, and specifically Gothic architecture, a gargoyle (/ ˈ ɡ ɑːr ɡ ɔɪ l /) is a carved or formed grotesque [1]: 6–8 with a spout designed to convey water from a roof and away from the side of a building, thereby preventing it ...
Grotesque at Notre-Dame Cathedral. Bridaham, in his book Gargoyles, Chimeres, and the Grotesque in French Gothic Sculpture, pointed out that the sculptors of the gothic cathedrals in the twelfth and thirteenth centuries were tasked by the Pope to be "preacher[s] in stone" to the illiterates who populated Europe at the time. It fell to the ...
Many churches have an additional altar placed further forward in the church, as well as altars in chapels. The altar of a Catholic church may be made of stone, often marble. In most Protestant churches altars are of wood, symbolic of the table of the Last Supper rather than of a sacrificial altar, and may be called the Communion table. [34]
The gargoyle also had a more practical purpose. They were the rain spouts of the Cathedral; rainwater ran from the roof into lead gutters, then down channels on the flying buttresses to the mouths of the gargoyles. The longer the gargoyle, the farther the water was projected from the walls, protecting the walls and windows from water damage.
The reconstruction work restored the 12th-century cathedral’s spire, its rib vaulting, flying buttresses, stained-glass windows and carved stone gargoyles to their past glory, with the white ...
A few cathedrals, like Albi Cathedral in the south of France, still have some of their original color, and others, notably Chartres Cathedral and the Abbey of Saint-Germain-des-Prés in Paris, have been restoring or recreating the earlier designs, or, in the case of Chartres, cleaning the walls and painting them white. This practice has been ...
A team of carpenters vowed crowds Saturday while using medieval techniques to raise up — by hand — a 3-ton oak truss in front of Notre Dame Cathedral in Paris as part of the church’s rebuild.
The construction of Gothic cathedrals was an ambitious, expensive, and technically demanding aspect of life in the Late Middle Ages. From the late 11th century until the Renaissance, largely in Western Europe, Gothic cathedral construction required substantial funding, highly skilled workers, and engineering solutions for complex technical ...