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However, thinking of Piaf, he changed the title to "Non, je ne regrette rien" (No, I Regret Nothing). According to journalist Jean Noli, in his book Édith (Éditions Stock 1973), when Dumont and Vaucaire visited Piaf's home at Boulevard Lannes in Paris, on 24 October 1960, she received them in a very impolite and unfriendly manner. Dumont had ...
Édith Piaf: Eternal Hymn (Éternelle, l'hymne à la môme, PAL, Region 2, import) Piaf: Her Story, Her Songs (June 2006) Piaf: La Môme (2007) Édith Piaf: The Perfect Concert and Piaf: The Documentary (February 2009) In 1978, a play titled Piaf (by English playwright Pam Gems) began a run of 165 performances in London and New York.
However, thinking of Piaf, he changed the title to "Non, je ne regrette rien" (No, I Regret Nothing). [4] According to journalist Jean Noli, in his book Édith (1973), when Charles Dumont and Michel Vaucaire visited Piaf's home at Boulevard Lannes in Paris, on 24 October 1960, she received them in a very impolite and unfriendly manner. Dumont ...
Charles Dumont, who composed Édith Piaf’s biggest hit, “Non, Je Ne Regrette Rien,” has died at age 95. Dumont’s wife told French news agency Agence France-Presse Monday that he had died ...
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The film is structured as a largely non-linear series of key events from the life of Édith Piaf. [note 3] The film begins with elements from her childhood, and at the end with the events prior to and surrounding her death, poignantly juxtaposed by a performance of her song, "Non, je ne regrette rien" (No, I do not Regret Anything).
But, thinking of Édith, he changed the title to "Non, je ne regrette rien" (No, I Regret Nothing). According to journalist Jean Noli, in his book Édith (Éditions Stock 1973), when Dumont and Vaucaire visited Piaf's home at Boulevard Lannes in Paris on 24 October 1960, she received them in a very impolite and unfriendly manner. Dumont had ...
je ne regrette rien "I regret nothing" (from the title of a popular song sung by Édith Piaf: Non, je ne regrette rien). Also the phrase the UK's then Chancellor of the Exchequer Norman Lamont chose to use to describe his feelings over the events of September 16, 1992 ('Black Wednesday'). je ne sais quoi lit.