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The Gish gallop is a rhetorical technique in which a person in a debate attempts to overwhelm an opponent by presenting an excessive number of arguments, with no regard for their accuracy or strength, with a rapidity that makes it impossible for the opponent to address them in the time available.
Kamala Harris. Donald Trump. Gish Gallop. All three are expected at Tuesday's presidential debate, even if most of America is unfamiliar with one name in that lineup.
Gallop as Lights Out narrator, 1951. Before the Como show, he was the narrator of Lights Out from 1950–1952; the horror fantasy TV series was based on the radio show of the same name. [34] Gallop's camera appearances for the show were as a head without a body with a lit candle.
Armando Gallop (1970-1996), American house-music producer and DJ; Cindy Gallop (born 1960), English CEO and advertising executive; Clive Gallop (1892-1960), British engineer, racing driver, and military pilot; Dave Gallop (born 1937), New Zealand cricketer and administrator; David Gallop (born 1965), Australian sports administrator and lawyer
Canvass is a way to try to get people's support or find out where their support lies. [37] Standard: I use a canvas cover to protect the barbecue. Standard: Canvass the block for information on their votes. Non-standard: My political party needs to canvas the local neighborhoods. cloth, clothe and clothes.
Copper engraving of the "Great Galop" of Johann Strauss (1839). Galop rhythm. [1]In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London.
Sammy Gallop (March 16, 1915 – February 24, 1971 [1] [2]) was an American lyricist, known for his big band and swing songs of the 1940s and 1950s. [ 3 ] Biography
Lights Out is an American television anthology series that featured dramas of thrills and suspense. Broadcast on NBC from July 12, 1949, until September 29, 1952, [ 1 ] it was the first TV dramatic program to use a split-screen display.