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Although musical set theory is often thought to involve the application of mathematical set theory to music, there are numerous differences between the methods and terminology of the two. For example, musicians use the terms transposition and inversion where mathematicians would use translation and reflection .
Furthermore, one sometimes considers set theories in which there are no infinite sets, and then the axiom of empty set may still be required. However, any axiom of set theory or logic that implies the existence of any set will imply the existence of the empty set, if one has the axiom schema of separation. This is true, since the empty set is a ...
This is a list of set classes, by Forte number. [1] A set class (an abbreviation of pitch-class-set class) in music theory is an ascending collection of pitch classes, transposed to begin at zero. For a list of ordered collections, see: list of tone rows and series. Sets are listed with links to their complements. The prime form of ...
Set theory is the branch of mathematical logic that studies sets, which can be informally described as collections of objects.Although objects of any kind can be collected into a set, set theory – as a branch of mathematics – is mostly concerned with those that are relevant to mathematics as a whole.
Standard set theory symbols with their usual meanings (is a member of, equals, is a subset of, is a superset of, is a proper superset of, is a proper subset of, union, intersection, empty set) ∧ ∨ → ↔ ¬ ∀ ∃ Standard logical symbols with their usual meanings (and, or, implies, is equivalent to, not, for all, there exists) ≡
In any topological space X, the empty set is open by definition, as is X. Since the complement of an open set is closed and the empty set and X are complements of each other, the empty set is also closed, making it a clopen set. Moreover, the empty set is compact by the fact that every finite set is compact. The closure of the empty set is empty.
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A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes , but theorists have extended its use to other types of musical ...