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There are three types of Hobbits. The Harfoots are the most numerous. The Stoors have an affinity for water, boats and swimming; the Fallohides are an adventurous people. The origin of hobbits is unclear, but of all the races they have the closest affinity to men, and in the Prologue to The Lord of the Rings Tolkien calls them relatives of men ...
J. R. R. Tolkien's Middle-earth fantasy writings have been said to embody outmoded attitudes to race. [1] [2] [3] However, scholars have noted that he was influenced by Victorian attitudes to race and to a literary tradition of monsters, and that he was anti-racist both in peacetime and during the two World Wars.
List of original characters in The Lord of the Rings film series – original characters in Peter Jackson's The Lord of the Rings film trilogy; List of original characters in The Hobbit film series – original characters in Peter Jackson's The Hobbit film trilogy; Middle-earth peoples – descriptions of races and groups in the legendarium
According to The Lord of the Rings, they had lost the genealogical details of how they are related to the Big People. Still, Tolkien clearly states in "Concerning Hobbits" that hobbits are not technically a distinct race from Men, the way that Elves or Dwarves are, but branched off from other humans in the distant past of the Elder Days.
In the appendix on "Durin's Folk" in The Lord of the Rings, Tolkien describes dwarves as: a tough, thrawn race for the most part, secretive, laborious, retentive of the memory of injuries (and of benefits), lovers of stone, of gems, of things that take shape under the hands of the craftsmen rather than things that live by their own life.
In The Lord of the Rings, Middle-earth at the end of the Third Age is described as having free peoples, namely Men, Hobbits, Elves, and Dwarves in the West, opposed to peoples under the control of the Dark Lord Sauron in the East. Some commentators have seen this as implying a moral geography of Middle-earth.
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The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
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