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One of Gros's preliminary sketches for Bonaparte Visiting the Plague Victims of Jaffa (New Orleans Museum of Art) The painting was ordered by the state after Napoleon had become emperor, and it had a clear propaganda purpose. [2] As for eyewitnesses, in General Berthier's campaign report there is no mention about such an event. [2]
The siege of Jaffa was a military engagement between the French army under Napoleon Bonaparte and Ottoman forces under Ahmed al-Jazzar. On March 3, 1799, the French laid siege to the city of Jaffa, which was under Ottoman control. It was fought from March 3-7, 1799. On March 7, French forces managed to capture the city.
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Napoleon Visiting the Plague Victims of Jaffa, 1804 Napoleon at the Pyramids in 1798, 1810 Lieutenant Charles Legrand, c. 1810. At the Salon of 1804, Gros debuted his painting Bonaparte Visiting the Plague Victims of Jaffa. The painting launched his career as a successful painter.
Located in Old Jaffa, Tel Aviv, Israel, near the harbour and facing the Mediterranean, the monastery consists of a large multi-story complex that includes an Armenian church and living quarters. The monastery is under the jurisdiction of the Armenian Patriarchate of Jerusalem , which rents out parts of the complex for residential and commercial ...
In the 10th century, Al-Muqaddasi described Jaffa as a small town, protected by a strong wall with iron gates. Constantin de Volney, the French politician and orientalist, who visited Jaffa on his journey to the east, reported it had walls twelve to fourteen feet high and three to five feet wide. [3] These walls were breached by Napoleon in ...
A pest house, plague house, pesthouse or fever shed was a type of building used for persons afflicted with communicable diseases such as tuberculosis, cholera, smallpox or typhus. Often used for forcible quarantine , many towns and cities had one or more pesthouses accompanied by a cemetery or a waste pond nearby for disposal of the dead.
Staging Empire: Napoleon, Ingres, and David (Penn State Press, 2006) online review. Prendergast, Christopher. Napoleon and history painting: Antoine-Jean Gros's La bataille d'Eylau (Oxford UP, 1997). Quynn, Dorothy Mackay. "The art confiscations of the Napoleonic wars." American Historical Review 50.3 (1945): 437-460. JSTOR 1843116
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