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Owen Roizman (September 22, 1936 – January 6, 2023) was an American cinematographer. He received five Academy Award nominations for Best Cinematography , for the films The French Connection (1971), The Exorcist (1973), Network (1976), Tootsie (1982), and Wyatt Earp (1994).
Owen Roizman Network: Nominated 1982: Tootsie: Nominated 1987: Haskell Wexler Matewan: Nominated 1989: Blaze: Nominated Mikael Salomon: The Abyss: Nominated 1991: Stephen Goldblatt: The Prince of Tides: Nominated Adam Greenberg: Terminator 2: Judgment Day: Nominated 1994: Owen Roizman Wyatt Earp: Nominated 1995: Stephen Goldblatt Batman Forever ...
The Gang That Couldn't Shoot Straight is a 1971 American crime comedy film directed by James Goldstone and written by Waldo Salt, based on the 1969 novel of the same title by Jimmy Breslin, which in turn was based on the life of gangster Joe Gallo.
Roizman was a five-time Oscar nominee who also shot 'Network' and 'The Taking of Pelham One Two Three.' Owen Roizman, 'French Connection' and 'Exorcist' cinematographer, dies at 86 Skip to main ...
Cinematographer Owen Roizman, who was not consulted about the changes, called the new transfer "atrocious". [68] In 2012, a new Blu-ray transfer of the movie was released whose color timing both Friedkin and Roizman supervised; the 2009 edition's desaturated and sometimes grainy look was corrected. [69] [70]
Roizman is a surname. Notable people with the surname include: Bernard Roizman (born 1929), American scientist; Morrie Roizman [Wikidata] (1912–1985), American cutter and film maker; Owen Roizman (1936–2023), American cinematographer; Yevgeny Roizman (born 1962), Russian politician
Owen Roizman: 4 Charles G. Clarke: 4 William A. Fraker: 4 Edward Lachman: 4 Robert H. Planck: 4 Rodrigo Prieto: 4 Joseph Walker: 3 Michael Ballhaus: 3 Norbert Brodine: 3
Lumet and cinematographer Owen Roizman worked out a complicated lighting scheme that in Lumet's words would "corrupt the camera". Lumet recalled: "We started with an almost naturalistic look. Lumet recalled: "We started with an almost naturalistic look.