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Matthew 4:6 is the sixth verse of the fourth chapter of the Gospel of Matthew in the New Testament. Jesus has just rebuffed "the tempter's" first temptation; in this verse, the devil presents Jesus with a second temptation while they are standing on the pinnacle of the temple in the "holy city" ().
The temptations that Jesus faced echoes the very temptations, even in the same order, that the Israelites experienced after the exodus from slavery in Egypt (Exodus 16, 17 and 19–32). [ 3 ] In the Gospel of Luke this temptation is the final one, and that is the ordering most commonly used by Christians.
Gregory the Great: "If we observe the successive steps of the temptation, we shall be able to estimate by how much we are freed from temptation. The old enemy tempted the first man through his belly, when he persuaded him to eat of the forbidden fruit; through ambition when he said, Ye shall be as gods; through covetousness when he said ...
To such a desert then all the sons of God go out that they may be tempted. For example, if you are unmarried, the Holy Spirit has in that led you into the desert, that is, beyond the limits of the flesh and the world, that you may be tempted by lust. But he who is married is unmoved by such temptation.
Some have responded to the idea of temptation by teaching or practicing asceticism; (see also ascetical theology and mortification of the flesh). The question of whether the world and the flesh are inherently bad and what the individual's proper relationship to them ought to be has long been debated in many philosophical and spiritual traditions.
Emperors of Soul is a 1994 box set compilation for The Temptations, released by Motown Records.The five-disc collection covers the Temptations' entire four-decade history, from the first recording of The Distants in 1959 ("Come On") to four new recordings by the then-current Temptations lineup of Ali-Ollie Woodson, Theo Peoples, Ron Tyson, and stalwart members Otis Williams and Melvin Franklin.
By introducing this doubt, the musical bridge simultaneously connects the movement from dream to reality, completed when the final lines shift from imagery to bald statement: "But in reality / she doesn't even know me". For Erlewine, "the Temptations' performance has a dream-like quality, quietly drifting through the singer's hopes and desires ...
Other popular versions of the song have been recorded by Ferde Grofé & His Orchestra with vocal refrain by Al Dary on November 21, 1933, Artie Shaw and his orchestra on September 7, 1940, Perry Como in 1945, [5] and by Mario Lanza on 29 November 1951 at Radio Recorders and subsequently released by RCA in January 1952.