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The musicologist Anne Leahy of the Dublin Institute of Technology notes that Bach had possibly stanza 3 in mind, which speaks of love, and used the instrument which is named after love. [ 63 ] The oboe d'amore plays the richly ornamented melody of the Pentecost hymn " Komm, Heiliger Geist, Herre Gott " [ 64 ] ("Come, Holy Spirit, Lord God, fill ...
There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by ...
The piece starts in compound quadruple meter (12 8).This movement is very dynamic and cheerful, and features complete absence of the pedal.The broken chords shared between left and right hand do not seem to have a parallel in any work by another composer, though Williams notes a similarity in the "idea of running semiquavers for hands followed by a sustained durezza passage with pedals" with a ...
Bach structured the cantata in six movements, beginning with a duet, followed by a series of alternating recitatives and arias and concluded by a chorale. [7] Similar to several other cantatas on words by Franck, it is scored for a small ensemble: four vocal soloists (soprano (S), alto (A), tenor (T) and bass (B)), oboe (Ob), two violins (Vl), viola (Va), and basso continuo (Bc) including ...
O ewiges Feuer, o Ursprung der Liebe (O eternal fire, o source of love), [1] BWV 34 (BWV 34.1), is a church cantata by Johann Sebastian Bach.He composed it in Leipzig for Pentecost Sunday, and it was the basis for a later wedding cantata, BWV 34a, beginning with the same line.
Notebook A. M. Bach No. 8 chorale setting "Jesus, meine Zuversicht" Organ 43 2: 5 40: 74: V/4: 41 IV/3: 58 after Z 3432b: 00851: 729 7. 1708–1717 chorale setting "In dulci jubilo" Organ 40: 74: IV/3: 52 after BWV 729a: 00852: 729a 7. 1708–1717 chorale setting "In dulci jubilo" (sketch) Organ 40: 158: IV/3: 50 after Z 4947; → BWV 729: ...
H 848. Instrumental parts to J.S.Bach's chorus BWV195 (lost) H 849. Instrumental introduction to Credo of J.S. Bach's Mass BWV 232; H 850. 2 Recitatives for 2 cantatas by Fasch (lost) H 851. Recitative & Aria for a cantata; H 852. Aria for a cantata; H 853. Aria for a cantata in D major; H 854. Various accompagnatos to other composers' works ...
Weichet nur, betrübte Schatten (Dissipate, you troublesome shadows), [1] BWV 202, [a] is a secular cantata by Johann Sebastian Bach. [2] [3] It was likely composed for a wedding, but scholars disagree on the dating which could be as early as Bach's tenure in Weimar, around 1714, while it has traditionally been connected to his wedding to Anna Magdalena on 3 December 1721 in Köthen.