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The earliest known recording of any movement of Hungarian Dances was a condensed piano-based rendition of Hungarian Dance No. 1, from 1889, played by Brahms himself, and was known to have been recorded by Theo Wangemann, an assistant to Thomas Edison. The following dialogue can be heard in the recording itself, before the music starts:
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
Siciliana, Op. 19 for cello and piano; Souvenir de la Sonnambula, Op. 5 for cello and piano; Tarantella, Op. 23 for cello and piano; Tema e Variazioni for cello and piano; The race – La corsa for cello and piano; Twenty-One Hungarian Dances (1881, Brahms-Piatti) Ástor Piazzolla. Tres piezas Breves; Le Grand Tango for cello and piano; Gabriel ...
Mozart Piano Sonata No.11 in A major 'Rondo Alla Turca' K.331; Beethoven Piano sonata No.14 in C sharp minor 'Moonlight' Op.27-2 3rd Movement; Chopin Piano Concerto No.1 in E minor Op.11 3rd Movement; Brahms Hungarian Dance No.5 in G minor; Tchaikovsky : Piano Concerto No. 1 in B flat minor, Op. 23
This page was last edited on 30 March 2006, at 19:18 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
Brahms_-_Hungarian_Dance_No._1_(performed_by_the_composer).oga (Ogg Vorbis sound file, length 57 s, 268 kbps, file size: 1.82 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
The orchestral rhapsodies numbered 1–6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a).
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